re:View – Patti Russo’s UK tour /
Why you really, seriously need to know about this singer

Those who know her have probably been telling you for years that Patti Russo has one of the most gorgeous voices on the planet. And maybe you went, “Patti who?” because even though she has been on the world’s biggest stages and on every major radio station, she never made the jump to headline act.

For twenty years Patti Russo has lent her power vocals to projects by the likes of Meat Loaf, Queen and Cher. Now – just in time for her 50th birthday – she has made a bold decision, assembled a band, planted her high-heeled boots firmly in the centre of the stage and is giving us a taste of her own music on her first-ever solo tour.

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And this time, it’s personal – for everyone involved. Patti has described this tour as a “personal triumph” in the aftermath of a severe blow dealt by her former boss and friend Meat Loaf, who last year brusquely informed her via email that, after twenty years in his band, she was no longer required. And it’s just as personal for her fans and friends, many of whom have followed the singer for said twenty years. You can tell by the atmosphere at her gigs that for these people, seeing Patti step into the spotlight ranges somewhere between a musical dream coming true and the pride of witnessing your insanely talented friend proving to the world just how good they are.

And in case you’re wondering: Yes, I am one of these people and to me it means all that.

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With the UK tour nearly over and an EP out for sale, we’re told a full album can be expected within the next year. Patti’s own music, much like her voice, effortlessly jumps from rock to soul and back again. The songs showcased on this tour are bursting with a raw energy that is characteristic of the singer: she never stands still for two seconds, she speaks her mind, she swears with abandon and she certainly lets it all out on stage, packing an amount of power into every performance that leaves audiences stunned and sometimes sobbing.

She can sing the tears, legendary songwriter Jim Steinman once said of her – and the same is certainly true for the rest of the emotional spectrum. She’s also pretty damn good at writing those tears down.

Most remarkably, after a rollercoaster career and at an age where too many established female artists are pushed to the sidelines of semi-retirement by the scores of airbrushed teenage pop princesses flooding the industry, Patti Russo is putting her music out there and she’s staying true to herself. Like the tiger-legginged, big-haired ’80s rock ‘n roll glamour of her on-stage persona, the music oozes pure, old-school rock and soul class.

If this sounds like the kind of nostalgic stuff that is increasingly being driven to extinction by the auto-tuned pop dominating our decade – well, the UK tour certainly proved that her music is drawing a diverse audience ranging from old-school rockers to twenty-somethings, with the occasional eight-year-old in the front row gearing up to introduce this hidden gem to the next generation of music lovers.

She might be looking back on half a century, but Patti Russo is just getting started. You might want to watch this one.

www.patti-rocks.com

Rebel at the keys: classical music needs more people like James Rhodes

James Rhodes plays the piano gorgeously – you don’t need me to tell you that; and it should be reason enough for anyone to go to his gigs and buy his albums. He’s also known for his relaxed approach to recitals and his quest to make classical music more accessible to the wider public.

What I didn’t know was that he is also very funny. Being at one of his gigs is like music education comedy – a bit like the music ed lessons I loved in school, but with laughs.

And, most importantly, he’s out to challenge all the (frankly, stupid) rules that have somehow attached themselves to classical recitals over time and are casting a whole load of unnecessary doom over the experience of going to listen to somebody play the piano.

Despite having played piano all my life, I rarely go to recitals. There’s just too much stuck-up-ness involved in your average recital. The oppressive atmosphere of a Queen Elizabeth Hall filled with posh people in their finest evening wear, making you feel that this is no place for your frizzy hair and your studded boots. The visible discomfort of the pianist clad in full tuxedo. The constant horror that you might clap at the wrong moment – or, indeed, that a little noise of joy might escape from your lips at the end of a piece, drawing two hundred pairs of furious eyes to you. And, the most stupid of all the rules: Why the fuck is the pianist not allowed to talk to the audience? I mean, the awkwardness! It makes me cringe every time. It’s unnatural. It’s just plain wrong.

And that’s what I love so much about James Rhodes. He plays recitals in the basement of a Soho theatre, he comes on stage in jeans and a stripy t-shirt and bright red shoes, with his trademark messy hair, and just puts you at ease.

Most importantly, he talks. It’s as simple as that. He gets up from the piano, he faces his audience, and he tells us, with so much love and passion for his subject, about the composers and the life experiences that led them to compose the pieces he is playing, and shares his feelings about a particular composer, or piece, or the process of learning it. And this has nothing to do with the common misconception that you have to spell things out to your average audience because they’re too uneducated or unsophisticated to understand and appreciate classical music. It’s simply about putting some life and humanity back into the process of playing – and consuming – classical music.

Because surely all music, whether it’s pop or metal or classical, should be there to enjoy and to share and to dance to – and not to be consumed by the elite in awkwardness and according to a set of pointless social rules that would probably make the composers turn in their graves.

I raise a pen to James Rhodes for putting the fun back into piano recitals, for always making sure we get plenty of Chopin, and for reminding us of the human beings behind those great classical works of genius.

Here's James reading one of Beethoven's letters at Letters Live in December 2013
Here’s James reading one of Beethoven’s letters at Letters Live in December 2013

Now head over to Soundcloud for instant happiness. Or buy James’ albums for prolonged happiness.

Follow @JRhodesPianist on Twitter.

BookLove: Just how gorgeous is this edition of Huck Finn?!

Just a quick one. I’m in love. In love with Mark Twain, in love with The Adventures of Tom Sawyer (which I’ve finally read, about twenty years too late) and especially in love with this beautiful edition of Huck Finn. Brown and blue leather, blue gilded edges, gorgeous typography. If only they made all books like this.

Ironically, I’m now reading it on my Kindle because this edition is just too beautiful to touch…

How to take all the pleasure out of reading in just 90 minutes

The reading game is set to change forever, ladies and gentlemen. Well, at least according to this dude here who (along with the rest of the media this week) is getting all over-excited about an ‘insane’ app that supposedly lets you read a novel in 90 minutes.

Spritz it’s called, and it is out to ruin your reading pleasure forever.

Well. The speed reading thing may have its uses if you’re reading for work or for study. (I was certainly wishing I had this skill back when I was going through a combined British and American history and literature degree!) But when reading for pleasure – arguably the main reason behind most everyday novel-reading – why on earth would you want to take all the enjoyment out of the experience just for the sake of being able to boast that you read, like, four books in an afternoon?

I don’t speed read, but a lifelong obsession with books has turned me into a fast reader. Often too fast for my own good. Yes, maybe I get through more books in a year than the average reader, but the downside is I don’t always take them in as much as I would like. So I allow myself to speed through a book if it’s a bit rubbish, but I force myself to slow down on the books I enjoy, often going back a page or even a chapter to read it again, more slowly, and pay attention to the details.

Because really, all the pleasure of a novel lies in the detail and in the language – each sentence carefully crafted by the author, who generally takes a hell of a lot of time to create it all. (So take the time to bloody appreciate it.) If you’re speeding through, you just won’t take these things in. You probably won’t even notice what a beautiful thing language can be, or feel the joy of discovering a particular author’s unique way with words. All that will stay with you is essentially a plot summary; and you can get that in less time from Goodreads or Wikipedia.

Besides, it’s just incredibly sad to think that our attention span has shrunk so much that we now need an app to convert a novel into a bite-sized portion of entertainment that our overloaded brains can handle in between playing Candy Crush Saga and watching X Factor.

No. I refuse to believe that this is true. We don’t need a speed reading app for novels. What we need is to sit down and take a breath, set aside some time and throw ourselves into a book with all our brains and all our hearts. Because that’s the only way to really experience the magic of getting completely lost in a good novel for hours at a time. If it takes a week, let it take a week. If it takes a month, whatever! It will be worth it.

Let’s not allow today’s obsession with technology to ruin this ancient, timeless and absolutely essential pleasure for us.

In a nutshell, as the brilliant Emma Donoghue said on Twitter this week:

No, what’s ‘insane’ is thinking you’ll enjoy books more by giving them less of your brain and time!

 

My bookshelf – well, part of it anyway. The result of years of reading, not minutes.

Why you should see one of Patti Russo’s UK gigs this spring

Patti Russo UK gigs

Every once in a while a singer comes along with a voice so superb it makes the hair on your arms stand up right on the first note; and with just the right combination of talent, stage presence and personality to make you feel that the world’s a slightly better place whenever you see them up on a stage.

Patti Russo is one of those singers.

And that’s precisely the reason why various superstars on the international music scene have enlisted her help over the past two decades to give their recordings and live shows an extra boost of vocal power and glamour.

She toured the world with Meat Loaf for 20 years; she has been in Cher’s Las Vegas show; she’s a regular gust vocalist with Queen [watch Patti channelling the spirit of Freddie]. Take a breath, because the list goes on…

She has rocked musical stages either side of the Atlantic, starring as Esmeralda in the London production of Notre Dame de Paris and as the original Killer Queen in the Las Vegas production of Will Rock You [fantastic clip on Vimeo].

Patti also has countless recordings to her credit, including Brian Ferry’s album Frantic, a leading role in the Trans-Siberian Orchestra’s rock opera Beethoven’s Last Night [here’s a beautiful track from that] and a song on the soundtrack of the Jim Carrey movie How the Grinch Stole Christmas.

Patti Russo UK gigs

And as if rocking the international album charts and the stadiums of the world wasn’t enough, Patti Russo also has songwriting on her long list of talents. Highlights include the title track for the 2006 movie South Beach Dreams, which she both wrote and recorded, and the stand-out hit on Betty Harris’ 2008 comeback album Intuition, called ‘Bring Me a Bible and a Beer’ – which became an instant fan favourite that will have the crowds screaming wherever Patti herself performs it.

You might as well listen to that while you’re here:

Now Patti Russo has stepped out of the shadow to embark on a solo career that, in a perfect world, should have been going strong for some 20 years already. And we are incredibly lucky because she’s doing it right here in the UK. So grab a ticket if you can for that one gig you can’t miss this year.

Here are the confirmed dates so far:
Southampton, 10 April 2014 @ The Brook
Birmingham 13 April 2014 @ O2 Academy,
Leicester, 15 April 2014 @ O2 Academy [ticket link TBC]
Sheffield, 17 April 2014 @ O2 Academy
Oxford, 19 April 2014 @ O2 Academy
Brighton, 21 April 2014 @ Komedia
London, 27 April 2014 @ O2 Academy Islington

For more news and gig updates from Patti follow her on Twitter @Patti_Russo and don’t forget to stop by and like her new official Facebook page.

re:View – The 2013 Bookshelf V

The final one! This batch completes the 2013 bookshelf and contains Hobbitses, Dunces, Jeeves and Pratchettses, among others. Amazing books, weird books, and books I should have read decades ago. (I’m approaching 30. I can actually say stuff like “I should have done this decades ago” now.)

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I’ve found the perfect man

And he lives in a book, of course. Damn my life!

The beastly Huns! They stood between him and Valentine Wannop. If they would go home he could be sitting talking to her for whole afternoons. That was what a young woman was for. You seduced a young woman in order to be able to finish your talks with her. You could not do that without living with her. You could not live with her without seducing her; but that was the by-product. The point is that you can’t otherwise talk. You can’t finish talks at street corners; in museums; even in drawing-rooms. You mayn’t be in the mood when she is in the mood – for the intimate conversation that means the final communion of your souls. You have to wait together – for a week, for a year, for a lifetime, before the final intimate conversation may be attained . . . and exhausted. So that . . .
That in effect was love.

(From the Parade’s End series by Ford Madox Ford. I’ve never been so in love with a book. Except when I’m reading Edith Wharton.)

I need Christopher Tietjens to be real, so I can marry him. And this isn’t helping AT ALL!

re:View – The 2013 Bookshelf IV

I’m finally making progress on last year’s bookshelf! Although, considering that I can hardly remember what I ate for dinner yesterday, we’ll see how well I do attempting to review books I read almost a year ago…

This episode of Bookshelf contains some mind-blowing reads, some disappointment and at least a couple of books that deserve a special spot on my favourite books of all time shelf.

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Some stuff happened in 2013

I never seem to have enough time to blog about stuff as/when it happens so here’s a summary of things I’ve been meaning to tell you about. Because some awesome shit happened last year.

I finally got those tattoos.

   

I got to say hello to my favourite band. (And Dad did, too.)


That’s Kamelot by the way. You should check them out.

I had lunch by a glacier.


The Eiger in Switzerland.

Also this photo happened on the way up.

While in Switzerland, I went to Sherlock Town Meiringen and the Reichenbach Falls. This is where it all went down.


Down the falls they went…

Also, I heard a talk by TERRY ACTUAL PRATCHETT.


One word: <3 And I saw an amazing literary event with my favourite actors, my favourite pianist and some of my favourite authors all in the same building. And I actually blogged about this one.

Overall, it was quite a good year for holidays, catching up with my loved ones and for my inner fangirl. 2014 better be fucking awesome to keep up with that.

Farewell 2013

How can this year be over already? I swear it was February, like, two weeks ago.

In the past few days I’ve been seeing people’s new year’s resolutions appearing all over the internet, which reminded me to check on how I did with mine in the past year. Because, what’s the point in having resolutions if they’re forgotten by mid January…

On 31 December 2012 I said that in 2013 I would:

  1. learn to play acoustic and electric guitar
  2. learn a new song on the piano every month
  3. read one book per week
  4. (finally review all the books I read in 2012)
  5. learn to use the DSLR
  6. bake something new once a month
  7. listen to more new and live music

So…

  1. I didn’t. I haven’t even picked up my guitar since February. After picking up piano again at the beginning of the year I decided to get back into classical; and I’ve spent about an hour a day practising that instead. Rather than a cop-out I’ll consider this one a change of focus ;)
  2. Kind of. I didn’t learn new songs as I intended when I wrote this (as in learn to play and sing pop / rock songs I like), but I did learn one song by Richie Sambora (for his cover contest) and eleven classical pieces so, check.
  3. Check. (Goodreads challenge link for the book nerds.)
  4. Check. Check. Check. Check. Check. Check. (I’m way behind on the 2013 reviews though…)
  5. I don’t think “managed to take some decent photos using the auto settings” counts, so, nope :(
  6. Didn’t quite manage the “once a month” bit but I’ve tried quite a few new things. (To be found on the baking blog.)
  7. Live highlights: Kamelot, Sonata Arctica, Morrissey & Marshall, Yundi Li, Jean Muller, Exit Ten. New discoveries: Silent Voices, Seventh Wonder, James Rhodes, Bright Eyes. Re-discoveries: The Civil Wars, Chopin. It’s been a good year for music.